Tempest (1982)

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Shakespeare

I got the this movie by accident. When I read Shakespeare’s The Tempest for my book club, I wanted to watch it performed. I got this film which is a …

Tempest (1982)

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The Best Things Happen when You’re Dancing

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musical, White Christmas

What a fun movie!

From White Christmas White Christmas is a tradition for me at Christmas. Here’s one memorable number.

The Best Things Happen when You’re Dancing

Hands Across the Table

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Carole Lombard, Cinderella story, Fred McMurray, recommended

In Hands Across the Table Carole Lombard plays manicurist Regi who’s sworn off love and plans to marry for money. A wealthy customer, Allen Macklyn, who’s confined to a wheelchair, gets Regi to open up. He soon falls for her; he sees the light and strength under the rough exterior. They soon become friends, though Allen hopes for more.

Into Regi’s life hops scion Theodore Drew III who’s playing hopscotch in the hotel where Regi works. Theodore’s smitten when he meets her, but Regi thinks he’s a nincompoop.  She saw him playing hopscotch by himself in the hotel hallway. Theodore goes to the barbershop for a manicure so that he can ask Regi out to dinner. She’s uninterested until she realizes he’s wealthy. Then she becomes so nervous that she cuts or jabs each of his fingers. They do go out and Theodore wines and dines Regi, who’s soon charmed. It isn’t till the wee hours when Theodore’s taking her home that he mentions that he’s getting married. She’s stunned and heartbroken. 

Nonetheless Theodore doesn’t see why Regi’s upset. Can’t things continue in spite of the wedding? After all he’s only marrying for money. It turns out his family’s lost its fortune and as Theodore has no ability to work and earn it, he must marry. Circumstances, flimsy ones, keep Theodore with Regi, who continues to fall for this cad. Meanwhile, Allen decides to propose to Regi. This sterling fellow would surely make Regi a wonderful husband if she can accept his disability.

Hands Across the Table was full of surprises. It was bold to show Theodore as a scoundrel from the start. Lombard was witty, beautiful and down-to-earth. Few actresses today can be both elegant and “of the people” as she was. Fred McMurray played Theodore, who was convincing as the fun guy with the mind of a child, a real Peter Pan. His character had one fact so I don’t fault him for not adding sophistication to this playboy.

While I hoped for a different ending, the film was fun and plot fairly original. It’s a good choice when you’re looking for light entertainment.

Queen Christina (1933)

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17th Century, 1930s, Greta Garbo, Queen Christina, Sweden

Starring Greta Garbo, Queen Christina shows a woman who became the leader of Sweden as a child when her father died, lead like a man. Garbo captivates. I don’t think I’d seen her in a movie, just in photos. My, was she compelling. Her magnetism keeps all eyes on her. This strong, passionate queen had no qualms about leadership. Her problem is the nagging requests for her to marry the King of Spain.

In the beginning of the film she had no desire to marry. When she gets fed up with the wheedling to coax her into the King of Spain’s arms, she bolts from the court. Dressed as a man, followed by her mentor, she encounters the Spanish envoy whose carriage falls into a rut. She teases and mocks him and his retinue. When she overhears the envoy’s plan to take a room at a nearby inn, she beats him to it and takes the last room for miles. Incognito, the queen teases the envoy when he arrives at the inn. Yet he gets the last laugh when the innkeeper, who’s swayed by the envoy’s higher offer, convinces the disguised queen to share the room with the envoy.

It isn’t long before the queen’s gender is revealed to the envoy and before you know it, they’re madly in love. Of course that presents problems because 1) the envoy’s mission is to convey his King’s proposal to Queen Christina and 2) he’s bound to discover his love’s true identity.

Garbo gives a strong performance and the story offers a surprise ending. The costuming was elegant and arresting. I’ve got to see more of Garbo’s films. You should too.

Note: There was a Queen Christina, who ruled Sweden in the 17th century, but I can’t find any evidence that this film isn’t more than conjecture.

Remorques

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fidelity, Jean Gabin, love, Madeleine Renaud, marriage, Michéle Morgan, Remorques, sea, sentimental

Gabin and Renaud

Remorques (1941) stars Jean Gabin as André, a tugboat captain, married to the lovely, devoted Yvonne (Madeleine Renaud). As the film opens André and Yvonne appear to be the perfect couple. Everyone at a wedding for one of André’s crew members, looks to Yvonne and André, who’ve been married 10 years as the perfect couple. I sure did. They are loving, practical and truly care about each other deeply.

When the Cyclone, André’s boat is called to rescue a ship caught in a wild storm, Yvonne offers to console the bride whose honeymoon must be postponed and whose husband faces peril with his comrades. Yvonne shares how distraught she gets anytime her husband goes to sea and how lonely she is. Yvonne’s built her life around her marriage, while André’s first priority is his boat and its mission with his wife coming in a close second.

As the waves and storm attack the boats, the scenes of the storm thrill.

The rescue is daunting enough, but the greedy captain of the endangered ship doesn’t want to be rescued. If his boat is saved, he’ll have to pay the tugboat for doing so. He’d rather lose all his crew and cargo and collect the insurance. Now that’s a villain.

Disgusted by the evil captain, his wife Catherine (Michele Morgan) and some crew members escape in a raft and the tugboat takes them aboard. Of course, Catherine is stunning. She’s decided to leave her nasty husband.

You can probably guess what happens. Yep, Catherine tempts the faithful André. The film gets sentimental and predictable but Gabin, Renaurd and Morgan’s performances make Remorque compelling. It’s not a masterpiece, but it held my interest.

Downton Abbey, the Film

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1920s, Anna, Bates, Cora, Downton Abbey, Edith, elegance, Isobel, Mary, Mr Carson, Mrs. Hughes, Robert, Thomas, Tom, Violet, wit

I admit I was worried that the film wouldn’t meet my expectations. Perhaps it wouldn’t translate to the silver screen.

The main plot involves the Crawley’s hosting the King and Queen of England (Elizabeth II’s grandparents). Will they be up to the task? What will go wrong?

By framing the story around this glorious event, writer Julian Fellowes hit the target. It’s a story that puts both the family and the servants in a tizzy. Since perfection’s required, Carson’s called out of retirement as the once sneaky Barrows isn’t experienced enough as butler. As the residents of Downton unite, conflict enters in the form of the supercilious royal servant staff. They elbow our favorite servants into a corner. No cooking for Mrs. Patmore. Poor Mr. Mosley, who’s taken time off from his teaching to return to serve, won’t get to. The royals bring all their food, drink and personnel.

A suspicious stranger comes to town and starts sniffing around Tom, the Irish son-in-law. What is this man who booked a room over the parade path in town up to? How will he implicate Tom?

Other subplots include Violet’s scheming to get a cousin to leave her fortune and property to Robert. Violet is beside herself when it seems that a maid will get everything.

Lonely Thomas may at last find understanding and possibly love (in a sequel?) but not till after surviving a very close call.

Widower Tom is pivotal in the film. He’s tied up with the mysterious strangerr, befriends the maid who’s to inherit a fortune and offers sage advice to a distraught royal.

It’s good fun to see this familiar cast again. Edith’s life has improved dramatically now that she’s married. Her problems are manageable, rich girl problems now that she’s away from Mary and has moved out and upward in status.

Violet and Isobel spar with wit. The saddest scene takes place towards the end between Violet and Mary.

The pacing was brisk and the film was clever and entertaining. With a such a large cast it’s hard to get everyone a good part. Mr. Bates didn’t have much to do and Mary’s husband was out of the country most of the time.

As usual the costumes and sets were amazing. Lots of delights for the eyes. It’s a film that’s sure to delight Downton fans, which is its aim.

All That Heaven Allows

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child, disapproval, Jane Wyman, mother, Rock Hudson, romance, snobbery, widow, young

The trailer promises “torture and ecstasy.” Maybe we get some.

I don’t mean I didn’t enjoy All that Heaven Allows (1955) starring Jane Wyman and Rock Hudson as a November – June romance, but the movie does swerve into the melodrama lane as the ad suggests.

The movie opens with wealthy widow Cary (Wyman) getting urged to attend a party by her friend Sara (played by Bewitched’s Agnes Morehead). Cary’s got to fend off loneliness after all. Sara later urges Cary to get a television set as that’s a good companion. At a country club party, Cary and the audience are bored by the snobbish guests who idolize convention.

Then young and handsome Ron enters Cary’s life and soon they’re in love. A gardener by trade, Ron prefers a simple, outdoorsy life. His friends admire his down-to-earth value system. As time goes by, Ron proposes and Cary wants her friends and college age kids to know about her relationship.

A beautiful middle-aged woman and a young man?! This pair sends shockwaves through the town. Cary’s friends are vicious towards Ron. Her children through adolescent tantrums. What are you thinking? Do you know how this looks?

Cary has to choose between her secure past and a romantic future.

The film took on a fresh situation. Questions like does Ron want children? aren’t addressed as the main theme is the effects of snobbery and convention. Sometimes the dialog was laid on thick and wanted to tell the director “I know what you’re driving at so you don’t need to be so obvious.” All in all, I was pulled into the story and happy to stick with it.

Death of a Cyclist

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Death of a Cyclist, drama, fear, guilt, infidelity, love, melodrama, responsibility, Spain

Death of a Cyclist (1955) is a powerful film from Spain. I found this via serendipity as the image on the DVD box intrigued me. The Criterion Collection site offers a plot summary I can’t trump, so here that is:

Upper-class geometry professor Juan and his wealthy, married mistress, Maria José, driving back from a late-night rendezvous, accidentally hit a cyclist, and run. The resulting, exquisitely shot tale of guilt, infidelity, and blackmail reveals the wide gap between the rich and the poor in Spain, and surveys the corrupt ethics of a society seduced by decadence. Juan Antonio Bardem’s charged melodrama Death of a Cyclist (Muerte de un ciclista) was a direct attack on 1950s Spanish society under Franco’s rule. Though it was affected by the dictates of censorship, its sting could never be dulled.

Compelling and intense, Lucia Bosé stars as Maria José, the stunning mistress who’s anxious about the black mail and incrimination she faces, while not worrying much about her responsibility for the death of the bicyclist. As the film progresses, the professor faces a career crisis caused by distraction due to his ruminating over the accident. As the university students lay siege to the administration building, the professor gains moral clarity which leads to a most surprising ending.
 

I liked that the story offered unpredictable plot turns. Lucia Bosé’s beauty and style were simple and captivating. The cinematography was bold and showed how black and white films can achieve more stunning results than color more often than not. I do wonder was Spain of the 1950s that immoral? How much of this is exaggeration?

I highly recommend Death of a Cyclist and I’ll look for more films with Bosé and directed by Juan Antonio Bardem.

Lucky Me

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Doris Day, musical, romantic comedy

As Doris Day just passed away at the age of 97, I figured watching some of her films would be a good memorial. My library displayed their DVDs with Day and I chose Lucky Day at random.

In Lucky Me, Day plays Candy Williams an aspiring singer and dancer who’s very superstitious and won’t walk by a black cat or step on a crack. Any superstition you’ve heard of in America, she won’t test. Williams is part of a struggling troupe of performers led by Phil Silvers, who’s perfect for his part. Candy gets duped by a well-meaning composer and romantic comedy ensues.

Though Lucky Me isn’t Day’s finest film and there are no great classic songs I recognized, the film entertains. It’s a cheerful story which showcases Day’s optimistic style. It’s sure to make you smile. The supporting cast includes Nancy Walker, who I remember from the sitcom Rhoda. Walker’s dancing skill was a nice surprise and Silver was a wonderful father figure in this tale of old showbiz.

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1940s, bet, black and white, film, Ginger Rogers, independent, jealousy, love, Lucky Partners, romantic comedy, Ronald Colman, suave, woman

I’d never seen a Ronald Colman film, though I’d heard the name. I ran across this title and thought I’d get the DVD from the library. (Note: the DVD has much better quality than the blurry trailer above.) Starring Ginger Rogers and Ronald Colman, Lucky Partners is a romantic comedy filled with style and wit.

Walking down the street one day, David Grant (Colman) wishes Jean (Rogers), a pretty passerby, “Good luck.” She stops and asks him why the “Good luck” and he smiles and they chat about her practical engineer fiancé before she goes her merry way.

When she arrives at her destination to drop off an order of books, she lucks into a free $300 (in 1940’s value) dress. Hmm, meeting that dapper fellow was lucky. Jean decides to take advantage of the luck and buys an Irish Sweepstakes ticket and convinces David to pay her half. That should increase their luck.

David places a condition on his going in on the ticket. If they win, which is highly unlikely, Jean will accompany David on a fabulous trip prior to her marriage. She’s unsure. What will people think of an unmarried woman traveling with an unmarried man? David sees it as an experiment. When Fred, the fiancé turns up, his assumptions and attitudes, compel Jean to go along. Besides, it’s unlikely the ticket will win, so there’s no real risk, right?

Well, next the ticket does win the first round of the sweepstakes. Now Jean and David need to decide whether to cash in for $12,000 or to hold and wait to see if they can win the full $150,000. There’s some back and forth and mainly dapper David just aggravates Jean, but then so does flat-footed Fred. In the end they decide to risk it all and Fred holds on to the tickets.

But rather than do as he was told, Fred sold Jean’s half of the ticket, so after they lose the sweepstakes, Fred proudly presents Jean with her $6000. He’s shocked that his independent-minded fiancée is livid that Fred went behind her back. Jean grabs her money and storms across the way to give David the money. He then insist that they go on a pared down version of the whirlwind experimental trip. Now Jean’s nervous, but a deals’ a deal.

Based on a film by Sacha Guitry (the French writer/actor who made films like The Pearls of the Crown  or Le Poison) Lucky Partners delights with a zany situation that dances around feminine virtue, trust, and whether one should marry a safe guy or the dashing artist with the mysterious aura. As is true of so many