Poldark, Final Season, Ep. 2

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abolition, British, Caroline, Cecily, court, Demelza, drama, Dwight, Geoffrey Charles, George, London, madness, pleasure garden, Poldark, Ross, treachery, Valentine, Warleggen, young love

Much of the episode takes place in London, where Demelza and the two children just arrived. Ned is out of jail! But he needs to clear his name because he wasn’t exonerated, but just released it seems. Ross discovers that Ballentine, Ned’s former secretary just happens to be in London.  If Ross can find Balletine, then Ned’s sure to be in the clear.

When Ned is in the mood for fun and he takes his wife Kitty to the Pleasure Garden. Ross and Demelza, Caroline and Dwight join them. As you’d expect the Kitty, who’s African American is insulted and stared at. Kitty defuses a confrontation and Ned & Co. leave.

Back in Cornwall, Tess, a new snakelike servant that Demelza has helped by giving her a job, is plotting to seduce Ross. She dreams of being the lady of the house. Prudie is on to her though.

George is amenable to signing a contract with a devil, i.e. Hanson, who’s made a fortune across the pond trading who-knows-what and who has no problem with the slave trade. The ghost of Elizabeth convinces George not to sign, making Uncle Cary hit the ceiling. This grief-induced madness is not funny.

Geoffrey Charles and Hanson’s daughter Cecily are getting cozy. Both are going back to Cornwall, where they’ll picnic on the beach, but this romance is headed for rocky shores as Cecily’s father wants her to marry the rich George.

Ross finds Ballentine and eventually convinces him to do the right thing. Ballentine writes a letter to state what a noble, just man Ned is. Ross discreetly circulates the letter. He wants to protect Ballentine. However, Demelza figures all and sundry should know how great Ned is. She gets Kitty and Caroline to help her hand out copies of the letter, which given that some very powerful people oppose Ned and make a lot of money off of the slave trade, endangers Ballentine and Ned.

Morwenna shows her maternal side when Valentine, who’s the spitting image of Ross, tells her how he expects his mother Elizabeth to return. She tries to sympathetically break the truth to the boy. Drake dreams of starting a family, but Morwenna recoils much as she’d like to oblige. She’s still traumatized by odious Ossy’s fetishes. One day . . . In fact my guess is that the series may end with Morwenna giving birth or at least getting pregnant.

An incredible futurist, Dwight spoke about mental illness and how criminals should not be held culpable when they’re not of sound mind. Caroline beams with pride at his lecture. A lawyer hears him and gets him to testify at the trial for the man accused of attempting to assassinate the King. This does not go down well with the elite.

The episode had plenty to like and characters who infuriated. George is still dangerous and Tess should be sent packing. Ross better not give in to her “charms.” Ross and Dwight champion justice. Cecily’s complex so I don’t know if she belongs with Geoffrey Charles, but she seems to.

Dwight’s ideas about insanity seem too modern for the era.  The ghost of Elizabeth seems rather false, hard to buy, but I suppose the actress also had a five year contract, which doesn’t make much sense since if you read the books, you know she died.

SPOILER ALERT

Ballentine’s body washes up on the shore. That’s what you get for pointing a finger at the powerful.

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Poldark Returns!

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18th century, capture, Caroline Penvennin, Demelza, Dwight Innes, Elizabeth, France, Geoffrey Charles, George Warleggan, history, injustice, Jacobin, justice, mining, money, Poldark, Ross Poldar, Valentine, Winston Graham

Drama lovers, history buffs and anglophiles, Poldark has returned to Sunday nights for its third season. Sunday brought what in the UK would be episode 3, but here is episode 2. Demelza and Ross are still in love, but Ross’ headstrong ways still make life hard for Demelza. I’m glad to see she’s got the strength to carry on no matter how obstinate Ross gets. And I’m thankful that at least occasionally, Ross tells her that he’s over Elizabeth and praises Demelza as she’s due.

George Warleggan has grown more prosperous and more pompous as he now is a Justice of the Peace. Woe, to the poor person brought before his court. Unless you’re rich, you don’t stand a chance at justice.

Elizabeth has had a new child, Valentine, whom George believes is his, but Elizabeth knows is Ross’ from another instance of Ross’ foolishness at the end of last season. Elizabeth staged a premature birth by pretending to fall down a staircase. At first she doesn’t want to bond with the baby, but as she comes to align herself more with George  she also accepts Valentine.

Drake, Morwenna, and Sam

We’ve got a few new characters already. Elizabeth’s young cousin Morwenna is brought to the house to mind Geoffrey Charles, who’s probably about 10 and has gotten quite perceptive and witty in a way George doesn’t appreciate. If George has his way Geoffrey will soon be off to boarding school.

Also after Demelza’s father dies, her two brothers Sam and Drake come to town. Drake soon develops feelings for Morwenna, who at first is tentative because Drake is clearly low born. Sam’s a very pious Methodist and that causes trouble. George insists that Sam and his followers are kicked out of the nearby church. How Christian of you, George! Soon Demelza finds an unused farm building and since Ross is away lets Sam use it for his church.

Where is Ross? He’s gone to France to look for Dwight who’s ship has been captured or lost, no one knows at first. France is in the throws of Jacobin violence. As Caroline and Dwight eloped as her uncle lay on his death bed, Caroline is, of course, beside herself with worry all the while worrying about her love. Rightly so, as in France, they’re killing first and asking questions . . . well, never.

The drama has been true to the original book series and offers romance and drama with complex characters and exquisite scenery and costumes. I do miss Jud’s whinging ways, but with three new characters and more to come, I understand.

 

 

 

 

 

Poldark by Winston Graham

Tags

18th century, Cornwall, Demelza, Elizabeth, Francis, mining, Poldark, romance, Ross, Verity, Winston Graham

After enjoying the Masterpiece 2015 version of Winston Graham’s Poldark, I read the book. Set in the late 18th century, Poldark is the first novel in the series about the Poldark family. It’s a family with some interesting facets. The side headed by Charles Poldark is quite refined and wealthy. The side headed by Joshua Poldark, Charles brother was less fortunate. Joshua had two sons and one died as a child. His wife died young. His son Ross, who’s the central character in this novel, got into gambling trouble and was urged to fight in the American colonies to let matters at home cool. Joshua didn’t have great success with his mining or farming interests and dies before he can see his son Ross return from the war.

Ross’ death becomes a rumor that takes hold in Cornwall. His true love believes it and winds up engaged to his cousin. His family’s drunk and disorderly servants believe it and they let the property fall to almost ruin. This book covers about half the events that you see in season one of the 2015 television series.

I read historical fiction for the details and surprises. Winston Graham’s clearly done his homework on life in Cornwall in 1873 and following. The dialect sounds accurate and every event and encounter, whether it’s a day at the market or a fishing trip rings true. It’s an era where people had a lot of spirit and vitality. (I’m starting to think the human race lost a lot by not riding horses. I think horseback riding made people stronger, physically and emotionally.)

Ross intrigues as he’s a bridge between classes. He understands his periwigged relatives as well as the villagers who scrape by and have no standing in a court of law where the scales are tilted in favor of the gentry. Even though Ross has little money, his rank puts him far above the villagers, yet as Demelza, the urchin girl he saves from her drunken abusive father, points out Ross can fit in either social circle.

In the book, readers get more of Graham’s well drawn characters, like Demelza who becomes the spirit of Ross’ home, Prudie and Jud, who curse and complain at every turn, Elizabeth, Ross’ former love and Francis, his cousin. At the start of the book Demelza’s 14 and then the story jumps ahead to when she’s 17, which I’d have liked to see.

This gap between the rich and the really rich intrigues and I’m trying to figure out how these families trained their servants so that in a few generations they no longer spit, cursed and drank way too much.

The story moves along quickly and includes some events I wish the 2015 series had. I’m ready to start on the second novel Demelza once I finish my other books.

If you liked the TV series, you really ought to read this novel. If you like Downton Abbey or Mr. Selfridge, you may just like Poldark more.

*In the 1970s the BBC produced the first Poldark series.

Comparison of the Two Poldark Series

Tags

drama, historical drama, Masterpiece, Poldark, romance

I haven’t seen the 1977 Poldark series and am waiting on getting them from the library. Till then, I’ll share this very fair examination of the 1977 and 2015 Poldark’s.

Boy, I’ve missed Poldark tonight. I’d much rather have seen one hour last week and one this.

A recap of Downton does not compare.

Poldark

Tags

18th century, Aidan Turner, British, drama, Masterpiece, Poldark, Ross Poldark

At first glance from my PBS emails, I didn’t think much of this summer’s Poldark. However, last week there wasn’t much to do in the evenings and I needed to keep awake to overcome my jet lag, so I watched an episode a night. While it’s not a top tier Masterpiece, it has grabbed me.

Poldark, Ross Poldark, had to fight for the red coats because he got in trouble gambling. In Virginia most of his company is killed. Ross survives but it takes him years to return home. When he’s back, he learns that his love, who though him dead, is about to marry his cousin, his richer cousin. Also, his father’s died and the family home and estate is in ruins. Poldark sets to regaining his wealth by reopening a mine and tending to his farm.

Unlike many in the town, Poldark is fair-minded and not blinded by status. He pays his workers well and lends a hand to those who fall on hard times. When he sees Demelza, a young village woman abused by her father, he hires her as a housemaid to work with his two unkempt, often drunk servants.

It’s tough seeing his love married to his weak, insipid cousin and the local society women do nothing but annoy Poldark. As time goes by he’s aware that Delmelza’s more than just a decent housekeeper. Under her rough manners, she’s wise, kind and beautiful. Rashly, he marries her upsetting all social proprieties.

I like that the show presents an era we rarely see on Masterpiece. Poldark’s house is dark and run down, unlike Downtown Abbey or The Paradise. It’s a rougher time, especially for the lower class. There’s a lot about borrowing money and wrangling to gain financial advantage. Even those draped in silk with their walls lined with ancestral portraits aren’t free from worry. It shows how the Crawley’s financial woes were more common throughout time.

The program can get a bit far fetched or descend to the bodice ripper conventions, but that’s easily forgiven. Overall, Poldark entertains and sheds light on 18th century Britain.