In Unfaithfully Yours, Rex Harrison plays conductor Alfred de Carter, a pompous egotist. (Doesn’t Harrison play a lot of this sort?) De Carter’s clueless brother-in-law Augustus misunderstood his request to “look after my wife while I’m gone and as a result Augustus has Daphne, the wife, followed by a detective.
At first Alfred wants to give his wife the benefit of the doubt, but other people want to tell him that his wife was found leaving his secretary’s hotel room in a negligee in the middle of the night. Soon Alfred’s high minded ethos are out the window and while he’s conducting a symphony concert, he’s plague by different scenarios involving confronting Daphne about this affair.
Each variation is more comical than the last. Directed by Preston Sturges, Unfaithfully Yours is a madcap comedy with a perspicacious take on jealousy. I particularly liked how well music was worked into the story and how each piece fit Alfred’s mood to a T.
The psychology of jealousy is explored to the limit. Harrison offers a superb performance of slap stick humor in a scene towards the end when he tries to trick his wife. Unfaithfully Yours moves at a clip and in spite of a few corny jokes stands up to the test of time. In the 1980s, they did a remake of Unfaithfully Yours starring Dudley Moore. I doubt it could match this clever film.
The Criterion Collection version includes a bonus feature with Terry Jones of Monty Python fame describing how he discovered Preston Sturges and his thoughts on the film.
Truffaut’s Jules and Jim is rightly considered a classic. Based on an autobiographical novel by Henri-Pierre Roché, the story focuses on two young men, with a deep friendship. Jules is Austrian and lives in Paris, while Jim is French. They share a way of looking at the world. Both are looking for love in 1912. When they meet Catherine, who resembles a sculpture which they view as the paragon of female beauty, they’re both struck by her spirit and openness. Jim agrees to let Jules court and marry her.
The three make a carefree group, but you just know that this arrangement won’t last forever. Catherine is capricious but didn’t fascinate me the way she did all the men who fall for her. She has no job and no interests. She’s pretty and open to life. Her spirit can be summed up when after viewing a play, they’re discussing the heroine, as Jules and Jim debate, Catherine illustrates her view of the role of women by jumping in the Seine. Fully clothed, Jim jumps in and fishes her out.
Soon WWI breaks out and Jules and Jim fight on opposing sides, both fearing that they may shoot the other. Catherine is back at home in Germany caring for her daughter and receiving beautiful love letters from Jules. In addition to being enigmatic, Catherine struck me as a taker. There’s no mention of her writing great letters to Jules to support him while he’s fighting for his country.
After the war, the men return and soon Jim is on his way to see Jules and Catherine and their daughter Sabine. Jules confides to Jim that Catherine’s taken lovers including a man named Albert, who appears from time to time. In true European form, Jules excuses Catherine since this is her nature. He is right, but it’s exasperating watching this woman escape all responsibility and never be held to account, which would help her grow up. Perhaps if Jules, or Jim, were stronger and more of leader, though that’s not his nature, Catherine might not test him so much or get bored. It’s doubtful, but possible.
Whenever you’ve got a trio, you can bet a friend is going to start something with his pal’s wife and with Jules’ permission, Jim begins an intimate relationship with Catherine. She still has sex with Jules and Albert and probably other men we don’t see.
It was interesting to see how Truffaut portrayed a sexy couple, or a few such relationships without a lot of nudity. I think his films are sexier with their fully dressed characters than those where the actors are buck naked.
Though I didn’t like Catherine, I did like the movie, which was masterfully paced and full of emotional surprises. Jeanne Moreau gives an outstanding performance. As I write historical drama, I found it interesting how Truffaut didn’t spend money on exquisite period costumes or settings. There are hints of the eras, but the costumes weren’t as accurate or elaborate as you see in period pieces made now.
The Criterion Collection’s DVD come with terrific bonus features including interviews with the sons of the men the story is based on and with the original “Catherine” who lived to be 96 and saw the movie before she died.
After several friends recommended , Netflix’s The Crown, I’ve started watching. It’s no secret that I have a soft spot in my heart for British historical dramas from Downton Abbey to Victoria. The BBC and itv have won me over.
I did wonder how the American Netflix would do telling the story of the current royal family. From the start it’s clear that Netflix spared no expense in this lush drama with exquisite, expensive costumes and magnificent palace settings. I’ve finished the first season, which contains a lot of flashbacks to contextualize the history. When the story begins King George is sickly and Elizabeth is newly married and while educated to become queen, she figures that’s a ways off. Within a few episodes, King George passes away and Elizabeth becomes queen.
Her first Prime Minister is Winston Churchill, who’s played by John Lithgow. Lithgow does a splendid job as Churchill.
One major plot line, that I wasn’t aware of, is Princess Margaret’s romance with Peter Townsend, her father’s personal secretary. Townsend is much older than Margaret and married. This is quite a juicy part of the series. When Townsend gets divorced, he hopes to marry Margaret, however, these plans are foiled because there’s a Royal Marriage Act that prevents royals from marrying without the Sovereign’s approval until they’re 26 years old. In season 1 Margaret is 23. The new queen can’t approve the wedding because although people are starting to divorce more, the royal family is not supposed to in any way approve divorce. Elizabeth is head of the church and the church is against divorce. That confused me since the reason the Church of England began was because Henry VIII wanted to get a divorce. He was a terrible model for morality so I’m wondering how the modern royal family became bound to live by high standards.
Claire Foy does an exemplary job as Elizabeth II. Her voice and mannerisms convince me that she is the queen. Matt Smith does resemble Prince Philip whom I knew was no saint, but now see his cavalier, playboy-ish. I think Smith’s prince is a bit gawkier than the real one, but I wasn’t born at the time shown in the series. Perhaps Philip’s posture was more bent over.
Sunday was the finale for this season’s Victoria. I’m not sure what I’ll do on Sunday evenings till Poldark returns in September. (I realize Little Women comes in May, but I’m not that sold on it. I think it’ll be fine but not as captivating. I hope I’m wrong.)
This episode mainly takes place at Christmas and Albert has Christmas Fever. His enthusiasm for having lots of Christmas decorations and carols was fun at first, till his desire for a perfect Christmas becomes irrational and annoying. It’s actually his subconscious way to cope with Uncle Leopold’s claim that he is Albert’s true father..
The episode begins with an officer in Africa saving a little girl whose tribe has been decimated. She’s a princess of a defeated tribe, and Forbes, told the winning chief that his Queen wanted her. So the poor girl is traded off and Mr. Forbes and his wife take her in. Eventually, the officer takes her to the Queen who takes her in and treats her just line any of her own. Well, in fact, she seems more caring towards Sara, whom she feels great sympathy towards. Yet, all the while, Sara misses her new home with the Forbes.
Uncle Leopold has forced himself as an uninvited guest, his favorite role. Albert tries to force himself to be kind as he’s got Christmas Fever. Victoria is less blind to Leopold’s faults. Like all Brits, she’s not used to Christmas trees and such for Christmas. It was Albert who’s responsible for bringing German traditions to England.
As if Leopold wasn’t a bad enough, Victoria’s most envious, plotting uncle has returned from Germany – Duke of Cumberland. He came to claim a favorite, expensive diamond necklace. Distressed by the uncle who wanted her dead, Victoria hoped to get some support from Albert, but he was so concerned with his perfect Christmas that he brushed her off. Since Victoria was still getting used to living in the palace without Lehzen, her lifelong supporter. She sure could use a husband who’s offers some support. Albert thought the necklace was insignificant, though giving it to Cumberland gives him strength and probably would result in emboldening him to try some other power play. Then Albert was critical of Victoria for mothering Sara as she did.
Yet in spite of Albert’s behavior, when Victoria was out with Sara and she sees Albert skating on thin ice, when he falls through the ice, Victoria goes into rescue mode and risks her safety, perhaps her life, to pull him out. That was quite a scary moment, and one that actually happened.
While Ernest manages to show kindness to Harriet, who’s understandably upset with him for standing her up when she expected he’d propose. Yet that nasty rash persists, and though Uncle Leo thinks it’s no big deal to hide his condition from a fiancée, Ernest has more principles. So he does tell Harriet it’s over, though he should have.
The episode concludes with Ernest giving Albert some brotherly advice and perspective. Albert’s dreams of a perfect Christmas is a delusion. They did not grow up with ideal Christmases. Victoria comes to see that Sara misses life with Mrs. and Captain Forbes so Victoria sends her back with them, though she always stayed in contact and did pay for her education.
I’ll miss my Sunday night Victoria episodes. Little Women debuts in May, but I don’t know what’s on PBS in the meantime. I’m not expecting much from Little Women, but I hope I’m wrong. I think my feeling’s due to my familiarity with Little Women, while Victoria and Poldark were all new to me.
I’ve enjoyed this second season, despite Albert’s occasional peevishness and the departure of Lehzen, Drummond and Lord Peel.
This week’s Victoria we see the end of the Corn Laws that protected farmers’ income, but also artificially kept food prices high. Lord Peel fights for this change, but it cost him politically. It was the right thing to do.
Albert fusses a lot about Lehzen, Victoria’s governess who’s now caring for their children. Albert has a host of complaints including that she leaves the windows open in the nursery, which a lot of nurses today will say is good practice. When Victoria sided with the Baroness, Albert is in a state and he announces that he’ll visit Parliament to lend his support to Peel. Victoria wisely counsels him not to, but he’s obstinate. That’s a shame because his presence was a political blunder and Peel got taunted by his opponents for being weak and needing a royal to prop him up.
Uncle Leopold makes a surprise visit. He seems to have no sense of what’s appropriate. No one wants him there, but he’s hell bent on forcing himself upon Victoria and Albert. I’m not sure why they didn’t have someone tell him he had to leave.
Victoria’s oldest daughter Vicky gets a fever and is very sick. Lehzen was inclined to let time do its thing, while Albert insists the doctor should be called. The child gets worse and they do call the doctor. This conflict spurred Albert to issue an ultimatum: “choose me or Lehzen.” it’s an impossible choice and of course, as much as it hurts her, Victoria chooses her husband. Poor Lehzen is forced to return to Germany. She hasn’t lived there in a good twenty years and is heartbroken that her devotion to Victoria ends with this dismissal.
Ernst’s doctor says his STD is in remission so Ernst decides to propose to Harriet. The couple has some tender moments together and he promises to talk to her one evening. In preparation, Ernst bathes and gets spruced up. However, his valet notices that the rash is back. So Ernst stands up poor Harriet.
After the Corn Laws are repealed, an angry farmer tries to shoot Lord Peel. Drummond, the young noble whose heart belongs to the blonde nobleman, but who’s engaged to some noblewoman is shot while shielding Peel. I was surprised that this character would die this season.
This was a sad episode with a lot of loss. It was a solid episode, but not as interesting as the potato famine episode. I was disappointed that Albert’s jealousy won out over Lehzen’s devotion. As adults they should have been able to reconcile, but that could be said of a lot of us.
The episode begins with an assassination attempt while Victoria and Albert are out for a carriage ride. When talking with Lord Peel, the PM, Victoria suggests she smoke out the assassin by going for another carriage ride. Albert’s astonished and thinks it’s foolish, but Peel agrees and admires the queen all the more for her courage. Seems like a genius double win for Victoria.
So off they go for another ride and this time Victoria’s got a super, bullet-proof parasol, which Albert made. He sure is handy.
The assassin, who’s an unfortunate, poor man with a club foot and a hump back, again tried to shoot the queen. He was quickly arrested and the palace security is increased, which is tedious.
Needing a change of pace, Victoria proposes a trip to Scotland, where she always wished she could go when she was growing up. Off they go to a Duke’s home where there’s lots of “foreign” food and dancing in the woods. Still as host, the Duke keeps a tight schedule including the blaring of bagpipes for an alarm clock and mind-numbingly boring poetry readings for the visit.
To cure the boredom, while on an outing, Victoria and Albert quickly tell the Duke they’re riding home separately. Albert assures the Duke they’ll be fine because he has a great sense of direction. (Famous last words.) Off they gallop into the highlands. We’re treated to beautiful scenery.
Scenic Schotland – I’d love to see this
Turns out Albert’s sense of direction isn’t that keen. With no compass or map and with gray clouds looming, our royals realize they’re lost. No matter which way they turn, they can’t find the way back to the castle. As night falls, they realize they must find shelter and wide up staying with an old crotchety couple in their cottage. Plenty of humor is drawn from the peasant farmer and his wife not knowing who their visitors are. Victoria learns to darn socks and Albert tells the farmer that he works at a big factory. The night is a true vacation from their real roles. (This trip with the night in the cottage is pure fiction. Victoria’s diaries show no such experience and there’s no reason her daughter would have expunged it.)
At the castle everyone’s in a state because the queen is lost. The next day, Victoria and Albert are “rescued” by dozens of guards and soldiers. The farmer and his wife learn that they were hosting royals.
As for some subplots:
Mrs. Skerret dances night after night with a dashing Scottish lad, who’s smitten. She will not let him write to her in London. So she’s leaving herself open to Mr. Francatelli’s advances, though she’s also been snippy with him.
Ernst, who’s seemingly come to terms with his illness, offers Harriet, his lover, condolences for her husband’s death. She’s in no mood for this and rebuffs him. Their relationship is dead though Harriet doesn’t know Ernst has syphilis. So we’re treated to this impossible tension about a relationship that can’t be. It’s tough being all all-knowing spectator. We can try calling out to the TV, but we know that doesn’t work.
The assassin, a character based on “Hunchback William Bean,” gets off lightly with a jail sentence rather than execution since there were no bullets in his gun. He was homeless and prison was a home.
The Duchess hoomphs and comments sourly once or twice, so nothing’s moving forward there. She doesn’t get lines that are all that funny. A lot of the dialog, that’s meant to be funny is just cliché.
The two gay noblemen have a romantic moment in the Highlands, though the blonde man is quite jealous that his lover is engaged to be married. I can see the jealousy, but doubt anyone in his shoes would be surprised. I bet what would normally happen is both men would marry and they’d carry on their relationship in secret. The only thing that would endanger the situation would be if one had to move far from the other because of family property that had to be managed.
Albert is increasingly critical of Lehzen, Victoria’s maid and governess. She wasn’t allowed to go to Scotland. Albert sees her as a threat and doesn’t like how she does things.
After the serious Irish Potato Famine episode, this week we had a pastoral vacation and some light entertainment. While the assignation attempt was real, the night at the farm wasn’t. Thanks to the Internet we can know what’s historic and what’s not and enjoy a night of fine British drama.
This week’s episode centered on the Irish Potato Famine and the British lack of response. First we see a meeting of Church of Ireland pastors, which is connected to the Anglican Church, where the men discuss their response to the potato famine. They’re offering soup kitchens to the Catholics who agree to switch denominations. They gripe about the poor Catholics who haven’t tithed to the Church of Ireland, which the law required them to do. Yes, later in the episode Victoria appalled, too. Why donate to a church you don’t belong to?
In the 19th century anti-Catholicism is in high gear. Only one pastor, Dr. Traill, objects and sees that all the Irish need food. The rest are quite un-Christian and wiling to let their neighbors starve. I suppose they’re unfamiliar with Mark 25: 35-40.
At Kensington Palace, Victoria and Albert welcome Ernst who’s got some mysterious health problem, which turns out to be an STD. The condition is slowly revealed.
Lord Peel and a new character, who’s a real churl, Charles Trevelyan, Assistant Secretary to the Treasury, explain to Victoria why they can’t help the Irish. Trevelan hates the Irish whom he thinks are subhuman. In fact he thinks the famine is a boon, because it will cull the herd. Victoria was rightly appalled. She seeks solutions, but neither Peel nor Trevelyan want to rock the boat in Parliament. Victoria wants to feed these people and she wants to repeal the Corn Laws, tariffs that protected the price of grains. Peel and Vrevelyan worry that if we give free food to the starving, everyone will expect free food.
Victoria confers with Albert over the matter, but Albert’s so upset with the stench of the old plumbing that he brushes her off. He’s hellbent on getting more WC’s in the palace. I’m not sure why he couldn’t manage both issues. He’s basically an executive. His job is to make decisions while someone else installs WC’s or sends the food to Ireland.
Downstairs our attention is drawn to the servant girl who’s from Ireland. She’s lied about being Protestant to keep her job. Her family is starving back home. She needs to get money to send to them so they can eat. One great scene is when she tells off Penge, who makes snide remarks about Papists and the famine.
Ernst is told that his mistress Harriet’s husband has died. This should be a great opportunity for him to court her openly. (Though this is not historical at all. The real Ernst was already married by now and this particular lord did not die in a hunting accident or in this year. He died later.)
I can’t feel sorry for Ernst. Actions have consequences. Fooling around with prostitutes comes at a cost. Laughing off his choices as following in his reprobate father’s footsteps is ridiculous. Ernst gambled with his life. I will feel sorry for any woman the show might marry him off to.
A diseased potato
When Victoria asks the duchess about her land in Ireland, Charlotte, dismisses the country as an uncivilized spot with no real society. She should stay in London. The duchess is a poor traveler.
Mr. Francatelli is seen consorting with some woman who wants him to sell palace secrets and go with her to America. Apparently, she’s the source of all the finery he’s been able to afford. However, he decides to stay put (so the storyline with Skerret can continue). He gives the Irish servant girl his gold watch so she can sell it and send the money home.
The queen does send the Irish some help, which is true to the history. In spite of his wife’s protests, Dr. Traill does the Christian thing and opens a soup kitchen at the vicarage. He contracts typhus and dies. The episode ended with a montage of the starving of Ireland. Hats off to the show for using Irish music throughout, but to squeeze a famine that went on for years into one episode is just wrong. I think the issue should have come up throughout this and probably next season.
Here’s a collection of tweets that an Irish newspaper collected in response to this episode.
